06-09-2015, 12:51 PM
(This post was last modified: 06-09-2015, 12:52 PM by Sentimental Gentleman.)
Andy Warhol's Vinyl. It seems I always turn to Warhol when I wonder how the practices of the cinematic grindhouse can provide lessons for the stage. Maybe it's because Warhol's camera work is so static that it seems more related to the spatial framing of the stage than the temporal practice of "cutting" in movies.
Applejack, the apple of my eye
![[Image: P2gVYQb.jpg]](http://i.imgur.com/P2gVYQb.jpg)